Senin, 11 Juni 2012

[E266.Ebook] PDF Download The Big Indian Wedding: The Ultimate Guide for Dummies, by Sakshi Salve

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The Big Indian Wedding: The Ultimate Guide for Dummies, by Sakshi Salve

The Big Indian Wedding presents the larger-than-life, sometimes outlandish, generally madding, and always high-octane world of Indian marriage ceremonies!

Dip in to discover of the zany, over-the-top, and thus far undisclosed stories associated with the well-heeled Indian s courtship and nuptial dance. From inebriated first dates over bottles of Dom P�rignon; to inspired proposals in exotic locations; to the entrance of the big-ticket wedding planner to, finally, the giant wedding itself, preluded by shopping sprees, bachelorettes, sangeets and mehndis, and culminating in the mother of them all, the saat phere this book is the ultimate compendium to the Indian marriage tamasha.

Written by someone who has keenly observed and enthusiastically participated in weddings and has almost been roped into one herself and peppered with witty observations, merry quizzes, and a whacky proposal manual (Bollywood-style), this book is a satirical account of the excesses of modern-day Indian weddings, and a sobering comment on the simplicity of the past.

  • Sales Rank: #3159327 in Books
  • Published on: 2015-09-01
  • Original language: English
  • Dimensions: 7.80" h x .55" w x 5.04" l, .26 pounds
  • Binding: Paperback
  • 190 pages

About the Author
Born and brought up in New Delhi, Sakshi Salve holds a bachelor s degree in business management from the University of Exeter, UK. After working for one year at a reputed fashion house in London, she had two stints in the banking sector at UBS and Barclays, following which she moved back to New Delhi to set up a lifestyle store at the DLF Emporio mall with her mother. Her love for fine dining took her back to London, where she completed a comprehensive culinary course from the reputed Le Cordon Bleu. She also spent a summer in New York City and completed an intense scriptwriting course from New York University.

Sakshi loves to travel, is a voracious reader and is instinctively drawn to all things spiritual. She divides her time between New Delhi and London, and is now planning to pursue full-time writing and entertainment.

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0 of 0 people found the following review helpful.
Really fun
By Amazon Customer
It was fun to read. Some of it was sort of dry in places and the humour was sort of over your head types of funny unless you understand about Bollywood and Indian culture. I loved it. Would recommend to friends definitely just have a WiFi connection handy so you can Google up small things. The book is in english but has some hindi phrases and sentences

0 of 0 people found the following review helpful.
The real inside story told by an insider
By fieldbloom
What a total ball it was reading Sakshi's book. She tells it like it is, fun and flair, from the inside. A real look into the reality behind the most special weddings on earth.

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[P758.Ebook] Download WHO Classification of Tumours of the Urinary System and Male Genital Organs (IARC WHO Classification of Tumours), by International Agency

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WHO Classification of Tumours of the Urinary System and Male Genital Organs (IARC WHO Classification of Tumours), by International Agency

WHO Classification of Tumours of the Urinary System and Male Genital Organs is the eighth volume in the 4th Edition of the WHO series on histological and genetic typing of human tumours. This authoritative, concise reference book provides an international standard for oncologists and pathologists and will serve as an indispensable guide for use in the design of studies monitoring response to therapy and clinical outcome.

Diagnostic criteria, pathological features, and associated genetic alterations are described in a strictly disease-oriented manner. Sections on all recognized neoplasms and their variants include new ICD-O codes, epidemiology, clinical features, macroscopy, pathology, genetics, and prognosis and predictive factors. It contains numerous color photographs, MRIs, ultrasound images, CT scans, charts and references.

  • Sales Rank: #81069 in Books
  • Published on: 2016-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.40" h x .70" w x 8.30" l, .0 pounds
  • Binding: Paperback
  • 400 pages

Review
"The editors and their contributors have provided an extraordinarily readable fascicle that is clearly also a scholarly text. They are to be congratulated in updating numerous details in these important areas in both a comprehensive and readily attainable manner. The use of this fascicle can be highly recommended to those already knowledgeable and well-established in the clinical and research areas of these organ systems as well as those at an earlier stage in their career who seeks to expand their knowledge and understanding." (Michael J. Droller, M.D., Katherine and Clifford Goldsmith Professor of Urology, Professor of Oncology, Mount Sinai)

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0 of 1 people found the following review helpful.
Five Stars
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Excellent

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Five Stars
By Sami
thank you
sami

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Minggu, 10 Juni 2012

[T350.Ebook] Ebook Free Implantable Electronic Medical Devices, by Dennis Fitzpatrick

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Implantable Electronic Medical Devices provides a thorough review of the application of implantable devices, illustrating the techniques currently being used together with overviews of the latest commercially available medical devices. This book provides an overview of the design of medical devices and is a reference on existing medical devices.

The book groups devices with similar functionality into distinct chapters, looking at the latest design ideas and techniques in each area, including retinal implants, glucose biosensors, cochlear implants, pacemakers, electrical stimulation therapy devices, and much more. Implantable Electronic Medical Devices equips the reader with essential background knowledge on the application of existing medical devices as well as providing an introduction to the latest techniques being used.

  • A catalogue of existing implantable electronic medical devices
  • Up-to-date information on the design of implantable electronic medical devices
  • Background information and reviews on the application and design of up-to-date implantable electronic medical devices

  • Sales Rank: #2626808 in Books
  • Published on: 2014-11-14
  • Released on: 2014-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .44" w x 7.50" l, .0 pounds
  • Binding: Paperback
  • 194 pages

About the Author
Dr Fitzpatrick is a Reader in Biomedical Engineering at The University of West London, where he also leads the Biomedical Engineering Research Group. He has a BEng degree in Electronic Engineering, a PhD in Bioengineering and is a Chartered Electronics Engineer and a Fellow of the Higher Education Academy.

His primary research interest is in the use of Functional Electrical Simulation (FES) for the restoration of bladder function and restoration of gait in stroke and spinal cord injured patients. His research focuses on the design and development of implantable medical systems. His recent book 'Analogue Design and Simulation using OrCAD Capture and PSpice', also published by Elsevier, has sold worldwide to highly acclaimed reviews in numerous prestigious electronic engineering journals such as EDN and Electronic Times and is officially endorsed by Cadence Design Systems.

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0 of 0 people found the following review helpful.
Page 48 is missing
By shis7
I gave a three star rating of this book since the page 48 of this book is missing. I would like the author can see this feedback and get it corrected through the publisher and would like to have a new copy of corrected book.

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Kamis, 07 Juni 2012

[A518.Ebook] Download PDF On Death and Dying (Scribner Classics), by Elisabeth Kubler-Ross

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On Death and Dying (Scribner Classics), by Elisabeth Kubler-Ross

One of the most famous psychological studies of the late twentieth century, On Death and Dying grew out of an interdisciplinary seminar on death, originated and conducted by Dr. Elisabeth Kübler-Ross. In On Death and Dying, Dr. Kübler-Ross first introduced and explored the now-famous idea of the five stages of dealing with death: denial and isolation, anger, bargaining, depression, and acceptance. With sample interviews and conversations, she gives the reader a better understanding of how imminent death affects the patient, the professionals who serve the patient, and the patient's family, bringing hope, solace, and peace of mind to all involved.

  • Sales Rank: #314162 in Books
  • Brand: Unknown
  • Published on: 1997-07-02
  • Released on: 1997-07-02
  • Format: Deluxe Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.00" w x 5.50" l, 1.01 pounds
  • Binding: Hardcover
  • 288 pages
Features
  • On Death and Dying

Review
"Life" A profound lesson for the living.

"Medical Opinion & Review On Death and Dying" can help us face, professionally and personally, the end of life.

About the Author
Elisabeth Kübler-Ross, MD, [1926–2004] was a Swiss-born psychiatrist, humanitarian, and co-founder of the hospice movement around the world. She was also the author of the groundbreaking book On Death and Dying, which first discussed The Five Stages of Grief. Elisabeth authored twenty-four books in thirty-six languages and brought comfort to millions of people coping with their own deaths or the death of a loved one. Her greatest professional legacy includes teaching the practice of humane care for the dying and the importance of sharing unconditional love. Her work continues by the efforts of hundreds of organizations around the world, including The Elisabeth Kübler-Ross Foundation: EKRFoundation.org.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

On the Fear of Death

Let me not pray to be sheltered from dangers but to be fearless in facing them.

Let me not beg for the stilling of my pain but for the heart to conquer it.

Let me not look for allies in life's battlefield but to my own strength.

Let me not crave in anxious fear to be saved but hope for the patience to win my freedom.

Grant me that I may not be a coward, feeling your mercy in my success alone; but let me find the grasp of your hand in my failure.

Rabindranath Tagore, Fruit-Gathering

Epidemics have taken a great toll of lives in past generations. Death in infancy and early childhood was frequent and there were few families who didn't lose a member of the family at an early age. Medicine has changed greatly in the last decades. Widespread vaccinations have practically eradicated many illnesses, at least in western Europe and the United States. The use of chemotherapy, especially the antibiotics, has contributed to an ever decreasing number of fatalities in infectious diseases. Better child care and education has effected a low morbidity and mortality among children. The many diseases that have taken an impressive toll among the young and middle-aged have been conquered. The number of old people is on the rise, and with this fact come the number of people with malignancies and chronic diseases associated more with old age.

Pediatricians have less work with acute and life-threatening situations as they have an ever increasing number of patients with psychosomatic disturbances and adjustment and behavior problems. Physicians have more people in their waiting rooms with emotional problems than they have ever had before, but they also have more elderly patients who not only try to live with their decreased physical abilities and limitations but who also face loneliness and isolation with all its pains and anguish. The majority of these people are not seen by a psychiatrist. Their needs have to be elicited and gratified by other professional people, for instance, chaplains and social workers. It is for them that I am trying to outline the changes that have taken place in the last few decades, changes that are ultimately responsible for the increased fear of death, the rising number of emotional problems, and the greater need for understanding of and coping with the problems of death and dying.

When we look back in time and study old cultures and people, we are impressed that death has always been distasteful to man and will probably always be. From a psychiatrist's point of view this is very understandable and can perhaps best be explained by our basic knowledge that, in our unconscious, death is never possible in regard to ourselves. It is inconceivable for our unconscious to imagine an actual ending of our own life here on earth, and if this life of ours has to end, the ending is always attributed to a malicious intervention from the outside by someone else. In simple terms, in our unconscious mind we can only be killed; it is inconceivable to die of a natural cause or of old age. Therefore death in itself is associated with a bad act, a frightening happening, something that in itself calls for retribution and punishment.

One is wise to remember these fundamental facts as they are essential in understanding some of the most important, otherwise unintelligible communications of our patients.

The second fact that we have to comprehend is that in our unconscious mind we cannot distinguish between a wish and a deed. We are all aware of some of our illogical dreams in which two completely opposite statements can exist side by side -- very acceptable in our dreams but unthinkable and illogical in our wakening state. Just as our unconscious mind cannot differentiate between the wish to kill somebody in anger and the act of having done so, the young child is unable to make this distinction. The child who angrily wishes his mother to drop dead for not having gratified his needs will be traumatized greatly by the actual death of his mother -- even if this event is not linked closely in time with his destructive wishes. He will always take part or the whole blame for the loss of his mother. He will always say to himself -- rarely to others -- "I did it, I am responsible, I was bad, therefore Mommy left me." It is well to remember that the child will react in the same manner if he loses a parent by divorce, separation, or desertion. Death is often seen by a child as an impermanent thing and has therefore little distinction from a divorce in which he may have an opportunity to see a parent again.

Many a parent will remember remarks of their children such as, "I will bury my doggy now and next spring when the flowers come up again, he will get up." Maybe it was the same wish that motivated the ancient Egyptians to supply their dead with food and goods to keep them happy and the old American Indians to bury their relatives with their belongings.

When we grow older and begin to realize that our omnipotence is really not so omnipotent, that our strongest wishes are not powerful enough to make the impossible possible, the fear that we have contributed to the death of a loved one diminishes -- and with it the guilt. The fear remains diminished, however, only so long as it is not challenged too strongly. Its vestiges can be seen daily in hospital corridors and in people associated with the bereaved.

A husband and wife may have been fighting for years, but when the partner dies, the survivor will pull his hair, whine and cry louder and beat his chest in regret, fear and anguish, and will hence fear his own death more than before, still believing in the law of talion -- an eye for an eye, a tooth for a tooth -- "I am responsible for her death, I will have to die a pitiful death in retribution."

Maybe this knowledge will help us understand many of the old customs and rituals which have lasted over the centuries and whose purpose is to diminish the anger of the gods or the people as the case may be, thus decreasing the anticipated punishment. I am thinking of the ashes, the torn clothes, the veil, the Klage Weiber of the old days -- they are all means to ask you to take pity on them, the mourners, and are expressions of sorrow, grief, and shame. If someone grieves, beats his chest, tears his hair, or refuses to eat, it is an attempt at self-punishment to avoid or reduce the anticipated punishment for the blame that he takes on the death of a loved one.

This grief, shame, and guilt are not very far removed from feelings of anger and rage. The process of grief always includes some qualities of anger. Since none of us likes to admit anger at a deceased person, these emotions are often disguised or repressed and prolong the period of grief or show up in other ways. It is well to remember that it is not up to us to judge such feelings as bad or shameful but to understand their true meaning and origin as something very human. In order to illustrate this I will again use the example of the child -- and the child in us. The five-year-old who loses his mother is both blaming himself for her disappearance and being angry at her for having deserted him and for no longer gratifying his needs. The dead person then turns into something the child loves and wants very much but also hates with equal intensity for this severe deprivation.

The ancient Hebrews regarded the body of a dead person as something unclean and not to be touched. The early American Indians talked about the evil spirits and shot arrows in the air to drive the spirits away. Many other cultures have rituals to take care of the "bad" dead person, and they all originate in this feeling of anger which still exists in all of us, though we dislike admitting it. The tradition of the tombstone may originate in this wish to keep the bad spirits deep down in the ground, and the pebbles that many mourners put on the grave are left-over symbols of the same wish. Though we call the firing of guns at military funerals a last salute, it is the same symbolic ritual as the Indian used when he shot his spears and arrows into the skies.

I give these examples to emphasize that man has not basically changed. Death is still a fearful, frightening happening, and the fear of death is a universal fear even if we think we have mastered it on many levels.

What has changed is our way of coping and dealing with death and dying and our dying patients.

Having been raised in a country in Europe where science is not so advanced, where modern techniques have just started to find their way into medicine, and where people still live as they did in this country half a century ago, I may have had an opportunity to study a part of the evolution of mankind in a shorter period.

I remember as a child the death of a farmer. He fell from a tree and was not expected to live. He asked simply to die at home, a wish that was granted without questioning. He called his daughters into the bedroom and spoke with each one of them alone for a few minutes. He arranged his affairs quietly, though he was in great pain, and distributed his belongings and his land, none of which was to be split until his wife should follow him in death. He also asked each of his children to share in the work, duties, and tasks that he had carried on until the time of the accident. He asked his friends to visit him once more, to bid good-bye to them. Although I was a small child at the time, he did not exclude me or my siblings. We were allowed to share in the preparations of the family just as we were permitted to grieve with them until he died. When he did die, he was left at home, in his own beloved home which he had built, and among his friends and neighbors who went to take a last look at him where he lay in the midst of flowers in the place he had lived in and loved so much. In that country today there is still no make-believe slumber room, no embalming, no false makeup to pretend sleep. Only the signs of very disfiguring illnesses are covered up with bandages and only infectious cases are removed from the home prior to the burial.

Why do I describe such "old-fashioned" customs? I think they are an indication of our acceptance of a fatal outcome, and they help the dying patient as well as his family to accept the loss of a loved one. If a patient is allowed to terminate his life in the familiar and beloved environment, it requires less adjustment for him. His own family knows him well enough to replace a sedative with a glass of his favorite wine; or the smell of a home-cooked soup may give him the appetite to sip a few spoons of fluid which, I think, is still more enjoyable than an infusion. I will not minimize the need for sedatives and infusions and realize full well from my own experience as a country doctor that they are sometimes life-saving and often unavoidable. But I also know that patience and familiar people and foods could replace many a bottle of intravenous fluids given for the simple reason that it fulfills the physiological need without involving too many people and/or individual nursing care.

The fact that children are allowed to stay at home where a fatality has stricken and are included in the talk, discussions, and fears gives them the feeling that they are not alone in the grief and gives them the comfort of shared responsibility and shared mourning. It prepares them gradually and helps them view death as part of life, an experience which may help them grow and mature.

This is in great contrast to a society in which death is viewed as taboo, discussion of it is regarded as morbid, and children are excluded with the presumption and pretext that it would be "too much" for them. They are then sent off to relatives, often accompanied with some unconvincing lies of "Mother has gone on a long trip" or other unbelievable stories. The child senses that something is wrong, and his distrust in adults will only multiply if other relatives add new variations of the story, avoid his questions or suspicions, shower him with gifts as a meager substitute for a loss he is not permitted to deal with. Sooner or later the child will become aware of the changed family situation and, depending on the age and personality of the child, will have an unresolved grief and regard this incident as a frightening, mysterious, in any case very traumatic experience with untrustworthy grownups, which he has no way to cope with.

It is equally unwise to tell a little child who lost her brother that God loved little boys so much that he took little Johnny to heaven. When this little girl grew up to be a woman she never solved her anger at God, which resulted in a psychotic depression when she lost her own little son three decades later.

We would think that our great emancipation, our knowledge of science and of man, has given us better ways and means to prepare ourselves and our families for this inevitable happening. Instead the days are gone when a man was allowed to die in peace and dignity in his own home.

The more we are making advancements in science, the more we seem to fear and deny the reality of death. How is this possible?

We use euphemisms, we make the dead look as if they were asleep, we ship the children off to protect them from the anxiety and turmoil around the house if the patient is fortunate enough to die at home, we don't allow children to visit their dying parents in the hospitals, we have long and controversial discussions about whether patients should be told the truth -- a question that rarely arises when the dying person is tended by the family physician who has known him from delivery to death and who knows the weaknesses and strengths of each member of the family.

I think there are many reasons for this flight away from facing death calmly. One of the most important facts is that dying nowadays is more gruesome in many ways, namely, more lonely, mechanical, and dehumanized; at times it is even difficult to determine technically when the time of death has occurred.

Dying becomes lonely and impersonal because the patient is often taken out of his familiar environment and rushed to an emergency room. Whoever has been very sick and has required rest and comfort especially may recall his experience of being put on a stretcher and enduring the noise of the ambulance siren and hectic rush until the hospital gates open. Only those who have lived through this may appreciate the discomfort and cold necessity of such transportation which is only the beginning of a long ordeal -- hard to endure when you are well, difficult to express in words when noise, light, pumps, and voices are all too much to put up with. It may well be that we might consider more the patient under the sheets and blankets and perhaps stop our well-meant efficiency and rush in order to hold the patient's hand, to smile, or to listen to a question. I include the trip to the hospital as the first episode in dying, as it is for many. I am putting it exaggeratedly in contrast to the sick man who is left at home -- not to say that lives should not be saved if they can be saved by a hospitalization but to keep the focus on the patient's experience, his needs and his reactions.

When a patient is severely ill, he is often treated like a person with no right to an opinion. It is often someone else who makes the decision if and when and where a patient should be hospitalized. It would take so little to remember that the sick person too has feelings, has wishes and opinions, and has -- most important of all -- the right to be heard.

Well, our presumed patient has now reached the emergency room. He will be surrounded by busy nurses, orderlies, interns, residents, a lab technician perhaps who will take some blood, an electrocardiogram technician who takes the cardiogram. He may be moved to X-ray and he will overhear opinions of his condition and discussions and questions to members of the family. He slowly but surely is beginning to be treated like a thing. He is no longer a person. Decisions are made often without his opinion. If he tries to rebel he will be sedated and after hours of waiting and wondering whether he has the strength, he will be wheeled into the operating room or intensive treatment unit and become an object of great concern and great financial investment.

He may cry for rest, peace, and dignity, but he will get infusions, transfusions, a heart machine, or tracheostomy if necessary. He may want one single person to stop for one single minute so that he can ask one single question -- but he will get a dozen people around the clock, all busily preoccupied with his heart rate, pulse, electrocardiogram or pulmonary functions, his secretions or excretions but not with him as a human being. He may wish to fight it all but it is going to be a useless fight since all this is done in the fight for his life, and if they can save his life they can consider the person afterwards. Those who consider the person first may lose precious time to save his life! At least this seems to be the rationale or justification behind all this -- or is it? Is the reason for this increasingly mechanical, depersonalized approach our own defensiveness? Is this approach our own way to cope with and repress the anxieties that a terminally or critically ill patient evokes in us? Is our concentration on equipment, on blood pressure our desperate attempt to deny the impending death which is so frightening and discomforting to us that we displace all our knowledge onto machines, since they are less close to us than the suffering face of another human being which would remind us once more of our lack of omnipotence, our own limits and failures, and last but not least perhaps our own mortality?

Maybe the question has to be raised: Are we becoming less human or more human? Though this book is in no way meant to be judgmental, it is clear that whatever the answer may be, the patient is suffering more -- not physically, perhaps, but emotionally. And his needs have not changed over the centuries, only our ability to gratify them.

Copyright © 1969 by Elisabeth Kübler-Ross. M.D.

Most helpful customer reviews

4 of 4 people found the following review helpful.
First book to confront fundamental issues of death
By JET
This was the first book to confront an issue that society wanted to hide away in the privacy of people's homes - how to deal with death.
It was written in the late 1960s, but its findings are as relevant today as ever.
It became a textbook read in every medical school in the world, and its messages informed a generation of those responsible for institutional end-of-life care.
I bought it for background reading during research I needed to do to write a history of the hospice in my hometown in New Zealand, New Plymouth.
It's incredibly informative, and I can see how it would radically change approaches in the western world's hospices and medical wards.
The sad thing is the author's name has disappeared from the reference lists of modern texts on this topic, and I suspect for a bizarre reason.
When she was in her 90s, Kubler-Ross wrote a last book on the subject of whether there is an after-life.
She was convinced one exists, after observing what happened to blind patients who suffered a near-death event and despite their lack of vision were able to describe what members of the life-saving crash team wore.
She interviewed many patients with similar stories to tell, which persuaded her that something existed for us after we departed this life.
But her views were debunked, and her credibility was destroyed.
The findings she made in this earlier book are strongly present in many of the books that have followed - but she gets no credit for them.
It amounts to a massive case of intellectual dishonesty on the part of those who fail to recognise her fundamental contribution

10 of 10 people found the following review helpful.
This book has been on my shelf for my entire adult life, dog-eared and always waiting.
By B. Michel
Dr Kubler-Ross is a hero of mine. To the point that I did an assessment on her life and discovered a headstrong child who wanted to FEEL what life was like.

She grew up in Switzerland during WWII, an identical twin in a triplet birth. She grew up unrecognised as an individual, part of the circus of attention that triplets bring. When she was 16 and the war had ended, she walked to Russia and back again, working in the reconstruction of post-war Europe.

She stood in the doorway to the chambers at Maidanek, a Polish concentration camp. She looked at the wooden walls, etched with last messages and images of butterflies symbolising life after death. She met a 16 year old Jewish survivor ~ only survived because she was unable to fit into the chamber that stole the lives of her family. Elisabeth asked her about her hatred of her captors and the girl replied something about not strewing the seeds of hate, that we all have an inner Hitler when we are faced with our own mortality.

With that, she went to medical school in Zurich, met an American student, married him and moved to America. She turned her focus from pediatrics to psychology, and began to notice how terminal patients were virtually ignored in hospitals ~ as though dying was something to be ashamed of. She began to visit patients, sitting with them as they talked, listening to their needs and their stories, finding that there is a wealth of wisdom in those frail people.

Dr Kubler-Ross believed in the dignity of living with dying. She polished the art of listening to the needs of terminal patients, how to allow them to pass with tenderness and non-intervention. To make dying a time of preciousness and honour. She taught me how to be present for my mother when she died.

When I got the call that Mama needed me, I didn't know what to do. As I packed to take the plane over land and oceans to go home to Delaware, I brought 'On Death and Dying', I brought a Ram Dass recording "Here We all Are" and a Crowded House cd with 'Fall at Your Feet'. Each one was instrumental in helping me give my mother a loving, hands-on, joyful exodus from the pain of cancer.

I recommend this book highly. Not only for assisting with a peaceful death, but as a sufferer of the grief of losing someone who meant the world to me. Kubler-Ross' Five Stages eventually became a recognised Psychological Theory on the Five Stages of Grief. Worthwhile to read once, enlightening to read over and over again.

2 of 2 people found the following review helpful.
the book become something of a seemingly dull series of interviews with dying patients
By Joe Mc
This is the book in which Dr. Kubler-Ross, a Swiss-American Psychiatrist, first introduced the: "5 Stages of Dying". It is an important work; but a bit dated: Having been published in 1969, some things discussed have already change in the way the dying are treated today. Furthermore, after the first few chapters, the book become something of a seemingly dull series of interviews with dying patients. That being said, the book has an intrinsic value because it was the first book of its kind do deal with how people in the modern age of medicine deal with dying. Also, it explores what can be done to improve the fears and suffering of a dying person by focusing on their individual needs, knowing they are facing death. I recommend this book to anyone interested in the subject, especially: Doctors, nurses, clergy, and family members.

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Rabu, 06 Juni 2012

[S503.Ebook] Ebook Free Design For The Other 90%, by Cynthia E. Smith

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Design For The Other 90%, by Cynthia E. Smith

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Design For The Other 90%, by Cynthia E. Smith

Of the world's total population of 6.5 billion, nearly 5.8 billion people, or 90%, have little or no access to most of the products and services many of us take for granted; in fact, nearly half do not have regular access to food, clean water, or shelter. Design for the Other 90% explores more than 30 projects which reflect the growing movement among designers, engineers, students and professors, architects, and social entrepreneurs to design low-cost solutions for this other 90%. Through partnerships both local and global, individuals and organizations around the United States and throughout the world are inventing unique ways to provide better access to food, water, shelter, health, education and energy to those who most need them. Published in conjunction with a major exhibition at the Smithsonian's Cooper-Hewitt, National Design Museum, Design for the Other 90% contains more than a dozen essays by leading experts in the field, accompanied by 200 full-color illustrations, to highlight a wide variety of design innovations that address the basic challenges of survival and progress faced by the world's poor and marginalized.

  • Sales Rank: #188994 in Books
  • Brand: Brand: Editions Assouline
  • Published on: 2007-05-15
  • Ingredients: Example Ingredients
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.25" w x .50" l, .72 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
great review of design projects made to HELP people
By Bob LaBlaw
LOVE this book. it's a perfect gift for an engineer, designer, or artist. And also great for anyone who actually cares about improving the world. I have a copy and bought one for my brother in law. the projects are ingenious and interesting, although not always totally practical, at least it is a showcase of people TRYING to design things to make the world a better place instead of just making something look pretty (not that there's anything wrong with that... but it's nice to read about things that are being done with humanity's best interests at heart.)

10 of 10 people found the following review helpful.
Thinking out of the box
By Amazon Customer
Necessity is indeed the mother of invention. While I did not see the original exhibit that inspired the publication of this book by the Copper-Hewitt, the book stands well by itself. The fact that we take so many things for granted makes this book a revelation. I bought 5 copies to give away to architect and engineer friends. I think it will prove revelatory and may inspire them to return their thinking to the most elementary basics of design; elegant and highly practical solutions that work for all of us, not just the needy 90%.

0 of 0 people found the following review helpful.
Great book
By MariaClara
It has more the shape of a magazine than a book but the content is pretty good starting for those (like me) looking for simple information about social design. Very nice examples, pictures and explanations about each project and its impact.

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Minggu, 03 Juni 2012

[W271.Ebook] Fee Download Convict Conditioning Ultimate Bodyweight Training Log (Convict Conditioning), by , by Paul "Coach" Wade

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The Convict Conditioning Ultimate Bodyweight Training Log is the first-ever training log designed specifically for bodyweight athletes.
Other logs are structured to contain sections where you detail the amount of weight you used, the type of equipment or machine
you worked out on, even what your heart-rate was and what vitamins you took today. You won't find any of this
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and the structure-you provide the perspiration and bloody-mindedness to seize the plan and
make it happen.

  • Sales Rank: #351168 in Books
  • Brand: Brand: Dragon Door Publications
  • Published on: 2013
  • Binding: Spiral-bound
  • 290 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

22 of 22 people found the following review helpful.
A must have!
By Hunyadi
A must have for bodyweight workouts! Each sheet has what exercise you do and the reps, it's that simple. Each page has a "daily tip of advice" that includes such topics as "On Rest Between Sets", "On Nutrition", and "On Shin Training" just as a few examples. The journal has the list of workout plans (New Blood, Veterano, Lockdown) that are taken from Convict Conditioning I. Also the book gives you an abbreviated progression chart for each of the Big Six Exercises. For a serious student of bodyweight exercises, this journal will only help you track your progress and give sound advice.

The book's last advice is "On Moving On:

All `systems'--no matter how good--are ultimately prisons. They are confining for the mind and the body. Convict Conditioning is no different. Spend time with the system, absorb what it has to teach. When the time comes for you to change your training, or develop further in a different direction, you must do so. There is no `dogma' in Convict Conditioning. Eventually all students will evolve beyond it, and build their own `system' to live in for a while."

3 of 3 people found the following review helpful.
good tool
By Nathan Williams
This book makes keeping track of your exercises and progress convenient, and the daily tips are helpful. I definitely recommend it

5 of 6 people found the following review helpful.
THE TRAINING LOG.
By STEVEN L. DAVIS
LIKED THE TRAINING LOG . IS GREAT WITH CONVICT CONDITIONING BOOK 1 AND 2 . LOOK'S TO GOOD TO WRITE IN , HATE TO MESS UP A GOOD BOOK . THANK YOU !

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Selasa, 29 Mei 2012

[T640.Ebook] Ebook Download Oil and Marble: A Novel of Leonardo and Michelangelo, by Stephanie Storey

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Oil and Marble: A Novel of Leonardo and Michelangelo, by Stephanie Storey

Oil and Marble: A Novel of Leonardo and Michelangelo, by Stephanie Storey



Oil and Marble: A Novel of Leonardo and Michelangelo, by Stephanie Storey

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Oil and Marble: A Novel of Leonardo and Michelangelo, by Stephanie Storey

Legendary geniuses clash in both art and life in this “tremendously entertaining” novel of Leonardo da Vinci and Michaelangelo (The New York Times).
 
For a few years at the very beginning of the sixteenth century, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.

Michelangelo is a virtual unknown when he wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.

Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.

Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius. Both will become immortal through their art.

Oil and Marble is the story of their nearly forgotten rivalry and “a rewarding read for art aficionados and fans of historical fiction” (Booklist). Here, Stephanie Storey brings early 16th-century Florence alive, bringing to life the minds and souls of two Renaissance masters with extraordinary empathy.

  • Sales Rank: #9803 in eBooks
  • Published on: 2016-03-01
  • Released on: 2016-03-01
  • Format: Kindle eBook

Review
“Tremendously entertaining and “unapologetic” in its artistic license, Oil and Marble will remind an older generation of the pleasures of Irving Stone’s art historical fiction.”
--Maxwell Carter, The New York Times

“The artistic process can be one of self-doubt, struggle, and sheer physical exertion, and Storey depicts the drama here with truth and insight. A rewarding read for art aficionados and fans of historical fiction.”—- Booklist

“Vividly evoking the turbulent world and ferociously competitive spirit of Renaissance Florence, Stephanie Storey transports the reader to one of the most creative and exciting moments in the history of that remarkable city.”—William E. Wallace, author of Michelangelo: The Artist, the Man and His Times

"With every chip of the chisel and stroke of the brush, Stephanie Storey fashions a mesmerizing tale of the envy, ambition, and artistic genius that drove an epic rivalry. Oil and Marble will make readers long for Florence and to see David in the morning light."--Elizabeth Cobbs, author of Broken Promises: A Civil War Novel, and The Hamilton Affair

"In the end this book is as much a love story as it is an historical narrative of time and place. Leonardo’s love for the muse Lisa and Michelangelo’s loving obsession to create something of great beauty from a block of imperfect stone. Stephanie Storey perfectly describes this artistic love as she paints her own masterpiece in the character of Leonardo." -- Thomas Crowe, Smoky Mountain News

"Oil and Marble is a magnificent story brimming with an all-star cast of world famous artists conducted by the talent of author Stephanie Storey... An intriguing unforgettable classic piece of historical fiction." -- Hudson Booksellers, Best of 2016

"Before I got to the bottom of the first page, I was completely engrossed in Oil and Marble. I especially liked the way Ms. Storey involved all the great names of the early 16th century in the art of politics and the politics of art. This is an eminently readable tale, with the two giants of art giving the story its heart and soul. A fabulous and fun read." --HistoricalNovelSociety.org

About the Author
Stephanie Storey is a writer and art fanatic. She has a degree in Fine Arts from Vanderbilt University and an MFA from Emerson College. She studied art in Italy and went on a pilgrimage to see every Michelangelo on display in Europe. When not writing fiction and screenplays, she works as a television producer. Oil and Marble is her debut novel. She lives in Los Angeles with her husband, an actor and Emmy-winning comedy writer.


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Most helpful customer reviews

49 of 50 people found the following review helpful.
"Oil and Marble" brings art alive.
By ELB
“Oil and Marble” delivers what I like best about good historical fiction. By breathing life into iconic historical figures, Ms. Storey reminds us that history didn’t just happen, but is the product of very human preferences, choices, and actions. The story itself was gracefully written, but also thoroughly entertaining. As a bonus, I also learned about Italian politics and Renaissance art. I especially appreciated the author’s knowledge of the “mechanics” of art, which gave this casual art observer better insight into the artistic process and what makes art great. I highly recommend this book.

46 of 47 people found the following review helpful.
Oil and Marble - A novel of Leonardo and Michaelangelo.
By Beryl Cumberworth
I am not an art expert but I do have basic knowledge. When I started to read this book I was afraid that Ms. Storey would not be able to bring these artists to life for me. I was afraid it would be solely a history story with rather wooden characters. How wrong I was, I now have new insights into these two great artists, they are no longer just names but living breathing men. This is a great read and I thoroughly recommend it.

18 of 18 people found the following review helpful.
Reading this was like returning to Florence without the crowds.
By Lotusland Lady
Having very recently returned from a trip to Florence I dipped into this book, hoping it would teach me more about the city and the artists of the Renaissance. I am so glad I did. I kept returning to the twenty pictures I had taken of David and experiencing with anticipation and frustration the setbacks, the insecurity, the disrespect suffered by Michelangelo. We know he was a genius, but in this book he is shown as a young man inflamed by his passion for sculpture who is almost consumed by his desperate need to create, to be acknowledged by his family and his city, with little else in his world except the need to turn marble into immortal art. Leonardo da Vinci is shown as older, more vain, more sophisticated, more complicated and complex and finally more interesting. Also a genius, his adversary is primarily internal. He never completes any project. He is already famous and recognized as a genius and in art mad Italy, he is constantly being saved from his own follies. His greatest adversary is his own mind. He has so many ideas,he is on the one hand remote from the normal pressures of life, and, on the other, intensely lonely, competitive, and obsessed with his questions, his engineering designs, his need to conquer flight, and his own alienation from his father. The rivalry between possibly the two greatest artists of the millenium and the coincidence that their greatest masterpieces, the Mona Lisa and David, were both created at virtually the same time in the city of Florence, is the tension within this book. As well some of the greatest artists of the Renaissance are supplementary characters. Some of the story is fiction, but the two men and their art are real and the writer has brought them both to life on the page.

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