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Legendary geniuses clash in both art and life in this “tremendously entertaining” novel of Leonardo da Vinci and Michaelangelo (The New York Times).
For a few years at the very beginning of the sixteenth century, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.
Michelangelo is a virtual unknown when he wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.
Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.
Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius. Both will become immortal through their art.
Oil and Marble is the story of their nearly forgotten rivalry and “a rewarding read for art aficionados and fans of historical fiction” (Booklist). Here, Stephanie Storey brings early 16th-century Florence alive, bringing to life the minds and souls of two Renaissance masters with extraordinary empathy.
- Sales Rank: #9803 in eBooks
- Published on: 2016-03-01
- Released on: 2016-03-01
- Format: Kindle eBook
Review
“Tremendously entertaining and “unapologetic” in its artistic license, Oil and Marble will remind an older generation of the pleasures of Irving Stone’s art historical fiction.”
--Maxwell Carter, The New York Times
“The artistic process can be one of self-doubt, struggle, and sheer physical exertion, and Storey depicts the drama here with truth and insight. A rewarding read for art aficionados and fans of historical fiction.”—- Booklist
“Vividly evoking the turbulent world and ferociously competitive spirit of Renaissance Florence, Stephanie Storey transports the reader to one of the most creative and exciting moments in the history of that remarkable city.”—William E. Wallace, author of Michelangelo: The Artist, the Man and His Times
"With every chip of the chisel and stroke of the brush, Stephanie Storey fashions a mesmerizing tale of the envy, ambition, and artistic genius that drove an epic rivalry. Oil and Marble will make readers long for Florence and to see David in the morning light."--Elizabeth Cobbs, author of Broken Promises: A Civil War Novel, and The Hamilton Affair
"In the end this book is as much a love story as it is an historical narrative of time and place. Leonardo’s love for the muse Lisa and Michelangelo’s loving obsession to create something of great beauty from a block of imperfect stone. Stephanie Storey perfectly describes this artistic love as she paints her own masterpiece in the character of Leonardo." -- Thomas Crowe, Smoky Mountain News
"Oil and Marble is a magnificent story brimming with an all-star cast of world famous artists conducted by the talent of author Stephanie Storey... An intriguing unforgettable classic piece of historical fiction." -- Hudson Booksellers, Best of 2016
"Before I got to the bottom of the first page, I was completely engrossed in Oil and Marble. I especially liked the way Ms. Storey involved all the great names of the early 16th century in the art of politics and the politics of art. This is an eminently readable tale, with the two giants of art giving the story its heart and soul. A fabulous and fun read." --HistoricalNovelSociety.org
About the Author
Stephanie Storey is a writer and art fanatic. She has a degree in Fine Arts from Vanderbilt University and an MFA from Emerson College. She studied art in Italy and went on a pilgrimage to see every Michelangelo on display in Europe. When not writing fiction and screenplays, she works as a television producer. Oil and Marble is her debut novel. She lives in Los Angeles with her husband, an actor and Emmy-winning comedy writer.
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Most helpful customer reviews
49 of 50 people found the following review helpful.
"Oil and Marble" brings art alive.
By ELB
“Oil and Marble” delivers what I like best about good historical fiction. By breathing life into iconic historical figures, Ms. Storey reminds us that history didn’t just happen, but is the product of very human preferences, choices, and actions. The story itself was gracefully written, but also thoroughly entertaining. As a bonus, I also learned about Italian politics and Renaissance art. I especially appreciated the author’s knowledge of the “mechanics” of art, which gave this casual art observer better insight into the artistic process and what makes art great. I highly recommend this book.
46 of 47 people found the following review helpful.
Oil and Marble - A novel of Leonardo and Michaelangelo.
By Beryl Cumberworth
I am not an art expert but I do have basic knowledge. When I started to read this book I was afraid that Ms. Storey would not be able to bring these artists to life for me. I was afraid it would be solely a history story with rather wooden characters. How wrong I was, I now have new insights into these two great artists, they are no longer just names but living breathing men. This is a great read and I thoroughly recommend it.
18 of 18 people found the following review helpful.
Reading this was like returning to Florence without the crowds.
By Lotusland Lady
Having very recently returned from a trip to Florence I dipped into this book, hoping it would teach me more about the city and the artists of the Renaissance. I am so glad I did. I kept returning to the twenty pictures I had taken of David and experiencing with anticipation and frustration the setbacks, the insecurity, the disrespect suffered by Michelangelo. We know he was a genius, but in this book he is shown as a young man inflamed by his passion for sculpture who is almost consumed by his desperate need to create, to be acknowledged by his family and his city, with little else in his world except the need to turn marble into immortal art. Leonardo da Vinci is shown as older, more vain, more sophisticated, more complicated and complex and finally more interesting. Also a genius, his adversary is primarily internal. He never completes any project. He is already famous and recognized as a genius and in art mad Italy, he is constantly being saved from his own follies. His greatest adversary is his own mind. He has so many ideas,he is on the one hand remote from the normal pressures of life, and, on the other, intensely lonely, competitive, and obsessed with his questions, his engineering designs, his need to conquer flight, and his own alienation from his father. The rivalry between possibly the two greatest artists of the millenium and the coincidence that their greatest masterpieces, the Mona Lisa and David, were both created at virtually the same time in the city of Florence, is the tension within this book. As well some of the greatest artists of the Renaissance are supplementary characters. Some of the story is fiction, but the two men and their art are real and the writer has brought them both to life on the page.
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