Selasa, 31 Desember 2013

[Y173.Ebook] Free PDF Super Sitter's Playbook: Games and Activities for A Smart Girl's Guide: Babysitting (American Girl)

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Super Sitter's Playbook: Games and Activities for A Smart Girl's Guide: Babysitting (American Girl)

  • Published on: 1900
  • Binding: Spiral-bound

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Sabtu, 28 Desember 2013

[V700.Ebook] Get Free Ebook The Fundamentals of Illustration, by Lawrence Zeegan, Lawrence Zeegen

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The Fundamentals of Illustration, by Lawrence Zeegan, Lawrence Zeegen

After a decade of catching up with technology, modern illustration is digitally literate and full of stylistic attitude. Today's illustrators work across a broad range of traditional skills and software and are much in demand. Recognising illustration as a freelance profession, "The Fundamentals of Illustration" explains best working practices appropriate to all industry sectors, including how to market and promote work effectively. It also includes a useful section on copyright and the legalities of selling work. Accompanied by engaging visuals and examples from the world of professional illustration, "The Fundamentals of Illustration" offers a unique and comprehensive insight into the world of professional illustration.

  • Sales Rank: #721195 in Books
  • Published on: 2006-04-01
  • Released on: 2006-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.03" h x .78" w x 7.98" l, 1.48 pounds
  • Binding: Paperback
  • 176 pages

Review
There is much evidence here of an analytical and systematic mind at work, instrumental in deconstructing the methodologies and issues which constitute the complex practice and subject of illustration. Lawrence should be commended for providing a valuable resource for our students and future generations of practitioners.

About the Author
Lawrence Zeegen is an influential image-maker, illustrator, graphic designer and academic. He is also a regular contributor to Computer Arts magazine, Creative Review, the Association of Illustrators' magazine The Journal, Artists' Newsletter and MacFormat. He was Council Member for The Association of Illustrators 2000-2002, is a full D&AD member and has been on annual award jury panels for both.

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14 of 15 people found the following review helpful.
Essential Reading
By Travis Hensgen
This book is absolutely wonderful. It is superbly written, beautifully designed, and contains examples covering a vast array of Illustration styles that tie in perfectly with the text.

While the focus is obviously on illustration, I would highly recommend that freelance people in the related disciplines of Web and Graphic Design read this too, since there's a lot of more general information about the challenges of going it alone. I would hope that educators are integrating books like this into their curriculum, since it's important for students to understand these challenges before being unleashed into the world!

Thanks for a great book!

17 of 19 people found the following review helpful.
Excellent resource & eye candy.
By Amber
This book is currently being used as our "unofficial textbook" in my illustration class. A very good overview of illustration careers and practices. Also, this book is great eye candy. I've been inspired to experiment a little more based on the different types of illustration in this book.

Excellent for art students and those considering careers in illustration or graphic design.

3 of 3 people found the following review helpful.
Pretty, inspiring, but light on actual useful advice
By Jim C
Nicely designed (although the type is too damn small!), pretty and "lavishly illustrated," as they used to say, I found the book to have not enough genuinely useful information, and it seems like some of the impressions of how things are in the United States (this is a UK publication) are a bit skewed! If you find a used copy it's worth a look. Had to laugh at one of the tools being a medical scalpel - seriously, do you not have X-acto knives in England? Not much represented in the lines of "realistic" illustration either, although the variety of styles here will no doubt be useful for students looking to find ideas and their own artistic voices. Would have liked to have seen a few pages about the "new golden age" of illustration and some of the staples there: Fuchs, Heindel, Forbes, Ken Dallison, David Grove, etc.

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Jumat, 27 Desember 2013

[H368.Ebook] Ebook Download Chronicles, Volume 1 by Dylan, Bob (2004) Hardcover, by Bob Dylan

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Chronicles, Volume 1 by Dylan, Bob (2004) Hardcover, by Bob Dylan

1st

  • Sales Rank: #368773 in Books
  • Published on: 2004
  • Binding: Hardcover

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372 of 391 people found the following review helpful.
So much for enigmas
By John Flora
When I was in college back in the mid-1960s, I remember a piece in the student newspaper that sought to explain the new folk music phenomenon Bob Dylan. I wish I had a copy of that story today, just to see how it matches up with the man revealed in Dylan's new autobiography, Chronicles Volume One.

My dim recollection is that the sophomoric student article painted Dylan as an inscrutable eccentric trickster, deep yet elusive.

That's pretty much the general impression I've had of Dylan since I first heard him around 1964 or '65. And, of course, I thought of him as the conscience and voice of my generation.

Well, it turns out that he's neither, as least not in the way most of us thought.

Dylan, in his own words, comes across as a regular guy who just wanted to do his job and go home to his family without being hassled by every freak and geek who imagined him to be the new Messiah.

In a recent radio interview on NPR - the first he's given in my memory - he's asked if he ever thinks about walking away from music.

"Every day," is his comeback.

The book reveals a devoted family man who has spent much of his life plugging away at his craft and trying to shield himself and his loved ones from the glare of offstage attention.

The further I went in the book, the most shared impressions and cultural perceptions I discovered. I became a grandfather earlier this year and have been wrestling with the idea and its implications of advancing age and life changes. I feel a whole lot better about it now that I know Dylan owns a "World's Greatest Grandpa" bumper sticker.

Oddly enough, many of us thought of him as the voice of our generation while at the same time seeing him as detached and set apart from the rest of us.

It turns out that he's much more one of us than we realized and it's probably more accurate to think of him as the voice of every generation, whether they know it or not.

This is an invaluable book because it demystifies Dylan and blows away all of that "mad genius" stuff that has swirled around him for 40 years.

My son, who owns a recording studio, is getting this book for his birthday this year for a variety of reasons, not the least of which is the chapter on working with producer Daniel Lanois in New Orleans.

I find maybe two books a year that I just can't put down. This is one of those books.

86 of 90 people found the following review helpful.
Even Better Than Expected.
By V. Messner
Some people have said this book doesn't reveal enough about Bob Dylan's personal life and that it skips around too much. I feel differently. Far as self-disclosure goes, Bob Dylan will never write a tell all, because that's just not the kind of person he is. I was very happy with the many personal thoughts and experiences he did share in Chronicles; he was way more open that I expected. This book does not read like a normal story. It's true. Bob doesn't always stick to a chronological line, but in no way does that detract from this unique and wonderful book. The joy in reading this autobiography doesn't lie in seeing Dylan neatly connect the dots. For me, it is just in taking each thought as it comes and enjoying it. Bob explains everything he's seen and done down to the most minute detail. In the book Dylan claims to "never forget a face," and I believe him. He certainly has close to a photographic memory. He remembers things from 30 years ago that I would have forgotten about yesterday - he's a professional observer if there ever was one. It's really unbelievable. It's easy to see that he's a very well read individual. This you will see in the book, as he elaborates and gives interpretations on the works of author after author, poet after poet. His unique personal writing style is no doubt a result of these many influences. I enjoyed this book more than anything I've read in a long time. I eagerly await Chronicles, vol. 2. and if you find Bob Dylan fascinating, I'd highly recommend Chronicles, vol. 1.

56 of 58 people found the following review helpful.
Not "autobiography", but essential for even casual fans
By Robert P. Inverarity
So the man has finally gotten around to writing about himself in prose, and you're thinking of grabbing this, the first fruit. A few remarks are in order, then, to help you decide whether to shell out the bucks. First I want to banish some possible misconceptions (ones I had and you very well might share); then I'll take a longer view of the book and tell you why I think it's worth five stars.

First, it's not an autobiography in the usual sense of the word. Sure, Bob is writing about himself and what he's done, but time flows freely forward and back and the subject changes (sometimes radically) every few paragraphs. He doesn't indulge in much self-justification, he doesn't try to chart a distinct arc of personal development, and it's not rare for him to start down a detour that screams for more exploration and then to turn the bus around. The comparison to X-Ray, the autobiography of Ray Davies of the Kinks, isn't entirely justified -- I don't think Dylan fictionalized much -- but Chronicles is closer in spirit to that than to more conventional rock autobiographies.

Second, Dylan lets you into his mind but he doesn't much open his heart. Suze Rotolo is the subject of some lyrical reminiscence, for instance, but their relationship is kept very abstract -- maybe he's protecting her privacy, I don't know. He talks about his love for his wife and kids at length in the "New Morning" chapter, but they never even show up as characters! His second (?) wife does show up in the "Oh Mercy" chapter, but she remains nameless and faceless. The only emotions Bob really describes are awe for his idols in his early days and frustration and loathing for himself in the "Oh Mercy" period.

Third, and finally, don't overestimate how much ground it covers. At 293 pages, the book is short; the font and the large amount of whitespace padding make 293 pages sound longer than it is. I read the book in just about five hours of reading, and much of that time my pace was leisurely. The content is pretty rigidly circumscribed, too: the first, second, and last chapters cover his early life and career, in Minnesota and in New York (1949-62); the third and fourth his "New Morning" (1969-70) and "Oh Mercy" (1988-89) periods, respectively. There's only a handful of anecdotes that fall outside those ranges.

One brief, nitpicky comment before I praise the book: Dylan needed a better proofreader than he got. I know he missed at least one deadline with the manuscript and probably more, and so publication was likely something of a rush-job, but he has a tendency to use words whose meanings elude him ("incredulously" instead of "incredibly" -- facts don't tend to be credulous), and a sharp set of eyes should have caught them in a once-over. The grammar, on the other hand, is better than some have given him credit for. On the other hand, I wouldn't be surprised if awe of the man stood in the way of proper proofing.

Anyhow, my three corrections to misconceptions could be taken as negatives. If it's got these problems, you might say, why is it worth five stars? My answer to that is that the man has a way with words, and just 'cause he won't be tamed by chronology & word choice & all that jazz doesn't mean that his recollections aren't delightful.

The book doesn't resemble a chronological biography so much as a Jim Jarmusch movie, a collection of short anecdotes tied together with a declarative sentence here or an interrogatory paragraph there. Dylan, who's rapidly turning into everybody's favorite dubious grandpa, full of funny stories and odd ways of looking at the world, sheds light on his influences, his contemporaries, and his colleagues that are alternately revealing, funny, incisive, and patronizing, but always entertaining. The anecdotal approach he's chosen couldn't be better suited to his personality or even his view of life (after all, Louie the King, Georgia Sam, and God shared the same song). For sheer entertainment value, Volume One of Chronicles slays the rest of the Dylan bookshelf.

Postscript: there's a six-song companion CD available for free from some retailers with two unreleased songs ("The Cuckoo" from the Gaslight and the original demo of "Dignity") and four released tracks from "New Morning" and "Oh Mercy" ("New Morning", "Father of Night", "Man in the Long Black Coat", and "Political World"). Keep your eyes out.

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Senin, 09 Desember 2013

[N918.Ebook] Download Event Cognition, by Gabriel A. Radvansky, Jeffrey M. Zacks

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Much of our behavior is guided by our understanding of events. We perceive events when we observe the world unfolding around us, participate in events when we act on the world, simulate events that we hear or read about, and use our knowledge of events to solve problems. In this book, Gabriel A. Radvansky and Jeffrey M. Zacks provide the first integrated framework for event cognition and attempt to synthesize the available psychological and neuroscience data surrounding it. This synthesis leads to new proposals about several traditional areas in psychology and neuroscience including perception, attention, language understanding, memory, and problem solving.

Radvansky and Zacks have written this book with a diverse readership in mind. It is intended for a range of researchers working within cognitive science including psychology, neuroscience, computer science, philosophy, anthropology, and education. Readers curious about events more generally such as those working in literature, film theory, and history will also find it of interest.

  • Sales Rank: #1060163 in Books
  • Published on: 2014-07-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.20" h x .90" w x 11.50" l, .0 pounds
  • Binding: Hardcover
  • 288 pages

About the Author

Gabriel A. Radvansky is a professor of psychology at the University of Notre Dame, where he teaches introductory psychology and courses on learning and memory. He is the author of over 70 journal articles and book chapters. Radvansky received his BA from Cleveland State University and his PhD from Michigan State University. He is a fellow of the Association for Psychological Science and the Midwest Psychological Association, and has served as an associate editor of the journals Memory & Cognition and the Quarterly Journal of Experimental Psychology.


Jeffrey M. Zacks is a professor of psychology and radiology at Washington University in St. Louis, where he teaches advanced cognitive psychology and courses on the cognitive neuroscience of film. He is the editor (with Tim Shipley) of Understanding Events (Oxford 2008) and the author of over 70 journal articles and book chapters. Zacks received his BA from Yale University and his PhD from Stanford University. He is a fellow of the Association for Psychological Science and the Midwest Psychological Association, and has served as chair of the Governing Board of the Psychonomic Society and a member of the US National Committee for Psychology, and as an associate editor of the journal Cognition.

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[N577.Ebook] Free Ebook In Search of Lost Frogs: The Quest to Find the World's Rarest Amphibians, by Dr. Robin Moore

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In Search of Lost Frogs: The Quest to Find the World's Rarest Amphibians, by Dr. Robin Moore

A beautifully rich and personal exploration of the plight of amphibians and the people working to save them. Moore's book proves him not just a fantastic photographer but an excellent reporter and compelling storyteller. Such a vital part of the natural world, amphibians are lucky to have this artist on their side.
-- Jennifer S. Holland, NYT best-selling author of Unlikely Friendships and Unlikely Loves. Her latest book is Unlikely Heroes.

A magnificent record of the global hunt for "lost" frog species.

Dr. Robin Moore has a passion for frogs and a fascination with finding new and "lost" species. In 2010, he spearheaded the worldwide "Search for Lost Frogs" campaign, which coordinated the efforts of 33 teams of scientists in 19 countries on five continents in a quest to find 100 species of amphibian not seen in over a decade.

In Search of Lost Frogs is a stunning record of Moore's journey and what he and his team did (or did not) find. The book is overflowing with exquisite close-up photographs by Moore that display the frogs' remarkable coloring and camouflage, and reveal their diminutive size -- many of the frogs are less than 5 cm long, if that. Moore's engaging text tells the story of the expedition, its highs and lows, discoveries and failures, and the campaign's ongoing work.

The book's first half covers what frogs do for the health of the planet, the slippery slope of extinction, what is being done to monitor frog populations and find lost species, the Lazarus project (which aims to "revive" lost species) and the author's career-long resolve to find the Mesopotamia Beaked Toad.

The second half of the book is about the searches. Moore describes the struggles, victories and dangers as well as the science. He takes readers along as his team trudge through rainforest, climb mountains and paddle rivers in search of the lost frogs, some not seen for more than a century. He tells a story of perseverance, disappointment, rediscovery, resilience, but ultimately of hope, written with passion and illustrated with superb photographs. And a surprise ending: they found 15 lost frogs.

They include:

  • In Ecuador, the Rio Pescado Stubfoot Toad, not seen since 1995
  • In Haiti, six rediscoveries, including the Ventriloquial Frog and Mozart's Frog, both lost for 20 years
  • In India, the Dehradun Stream Frog, last seen (and only once) in 1985; the Elegant Tree Frog (1937); the Chalazodes Bubble Nest Frog (1874); the Anamalai Dot-Frog (1938)
  • In Democratic Republic of Congo, the Omaniundu Reed Frog (1979)
  • In Ivory Coast, the Mount Nimba Reed Frog (1967).

Naturalists, lovers of all things frog, schools and interested general readers will enjoy the stunning photographs, the science and the adventurous stories of discovery.

  • Sales Rank: #739907 in Books
  • Published on: 2014-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x .88" w x 7.50" l, .0 pounds
  • Binding: Hardcover
  • 256 pages

Review
The (Lost Frogs) project culminated in a gorgeous book that's filled with beautiful images and the harrowing tales of hunting for these amphibians. But most importantly, the book shares the science behind what frogs disappearing around the globe means for planet Earth. It is told in a compelling prose that draws you in and keeps you there for the duration of the book -- and will likely leave you wanting for more. (Jaymi Heimbuch Mother Nature Network 2014-10-30)

We've lost 52 percent the planet's wildlife in the past 40 years, and while it's easy to raise awareness of, say, the plight of the polar bear, it is far harder to make people care about frogs. (Moore) relies upon more than eye-catching photographs to convince people that amphibians are worthy of our protection. He's wrapped 70,000 words around his 400 photographs, sharing the wonder of the animals and explaining the vital role they play in countless ecosystems. (Pete Brook Wired 2014-10-02)

The (Search for Lost Frogs) campaign was wildly successful. In a year, scientists in froggy parts of the world found 20 of the "lost" frogs--one of which had last been seen in 1874. Frogs got more media scrutiny than at any time since Noah's Ark. And now Mr. Moore has written an excellent account of the campaign--full of passionate scientists, wild landscapes and exquisite pictures of these luminous creatures that for once are getting the attention they deserve. (The Economist 2014-11-08)

With stories and more than 400 photos in his debut book, award-winning conservation photographer Moore seeks to raise the profile of frogs in the consciousness of a public largely unaware that in recent years "amphibians have been at the forefront of the largest mass extinction event since the dinosaurs disappeared." As director of the amphibian program at Conservation International, Moore spearheaded an international effort to search for species feared to be extinct. Following Moore on his global odyssey and riding the rollercoaster of his hopes, disappointments and triumphs brings the reader closer to his beloved frogs. As he searches for remaining forests in the ravished Haitian landscape, tracks vanished species amid the continuing political conflict in northern Colombia, and discovers seeds of a cultural narrative wrapped up in the mysteries surrounding the Hula Painted Frog of Israel, Moore also seeks to untangle the complex knot of fragile ecosystems tied up with struggling
economies, political strife, and climate change. In this part travelogue, part adventure story, and part zoological journal, Moore doesn't shy away from sharing his personal experiences, thoughts and humor, and thus succeeds in transferring his passion and enthusiasm to readers. (Publishers Weekly 2014-11-14)

This book is in many ways a reflection of the entire state of the planet's health, just as amphibians are often used to reflect the state of the waterways they inhabit. Much has been lost and there's still plenty to lose, but within all of the mourning and nostalgia there's also some hope; there are still discoveries yet to be made. (Wild Magazine 2014-11-01)

Informative, entertaining, and colorfully illustrated... This is a superb resource for general readers and for specialists with advanced training in herpetology. It not only makes fascinating reading but also provides numerous, excellent color photos of rare frogs and salamanders. Highly recommended. All readership levels and libraries. (E. D. Keiser, University of Mississippi Choice 2015-05-01)

About the Author

Since gaining a PhD in biodiversity conservation, Robin Moore has been a powerful voice for amphibian conservation with the Amphibian Survival Alliance. Robin Moore, a Fellow of the International League of Conservation Photographers, is an award-winning conservation photographer whose pictures regularly appear on the pages of National Geographic, among other publications.

Excerpt. � Reprinted by permission. All rights reserved.

PROLOGUE

On a late September day in 2007, three miles above the equator in southern Ecuador, I joined a team of scientists on a quest to find a small black frog. We hiked across windswept peaks under cotton-wool clouds billowing in a sapphire sky--the air so thin that it made my head pound and my lungs ache--in search of a creature no bigger than my thumb. The frog had not been seen in two decades; its disappearance had been as sudden as it was mysterious. The frog was posthumously named after the Quechua word for sadness, to lament the loss of frogs from cool streams and glassy pools across South America and beyond. It was my first search for a lost frog, but just one step of a bigger journey.

The following year in the shallows downstream I saw my first corpse. She was also a harlequin frog, but a different kind--with brilliant yellow on black, she was as beautiful in death as in life. Her stillness was broken only by the rhythmic wash of water on splayed limbs, and onto her back clung a male--oblivious to her passing--trying to mate. They were among the last of a species new to science. As her rigid limbs were squeezed into a jar filled with frogs like pickled eggs back at the lab in Quito, she took her place in a growing queue of species to be named and mourned. Her companion would join her just weeks later; both of their lives taken by a silent killer that was on the move, from Costa Rica to Ecuador and Australia to California.

The slow tug of nostalgia for lost amphibians punctuated by jolts of grief at the sight of dead frogs transformed a childhood passion, nurtured in the peat bogs of the Scottish highlands, into a global quest to unravel one of the most compelling mysteries of our time: what was happening to the amphibians?

My quest led me in 2010 to spearhead an unprecedented coordinated and global search for frogs, salamanders and the lesser-known caecilians. Over six months more than a hundred biologists slashed through thick jungle, waded up rivers and hiked remote mountain passes, from Borneo to Brazil, Colombia to Congo and Israel to India, faced with long odds and often miserable conditions and armed with boots, headlamps and dogged determination to find some of the most elusive creatures on earth. I was lucky enough to join some of these searches, to feel the pangs of disappointment and the thrill of discovery in some of the most remote and uncharted corners of the world.

On the following pages I invite you to join me on my journey as it unfolds in three parts. It begins in the back gardens and remote moors of Scotland, where my search for elusive frogs and newts in garden ponds to misty peat bogs ignited a passion that fueled a quest to unravel the mystery of vanishing frogs from Central and North America to Australia; their disappearance sometimes so rapid that not even a corpse was left to mark their existence. In the second part of the story we embark on a journey with scientists around the world in search of frogs and other amphibians not seen in decades, before taking a step back to consider, in the final part, what the successes and the failures mean in the grander scheme of things. It is a story of rediscovery, reinvention and hope; a story about the fine line between life and death, and what it is telling us about the sixth mass extinction on earth.

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7 of 7 people found the following review helpful.
A story that needs to be told
By Alex Shepack
This is an excellent book whether you have a passing interest in amphibians or have dedicated your life to studying them. Robin Moore's retelling of the Search For Lost Frogs initiative coupled with his amazing photography provides a great introduction to the alarming decline of amphibians occurring worldwide. Hopefully this book will be a springboard for even more discussion and attention towards the tragic amphibian extinctions happening right under our noses.

4 of 4 people found the following review helpful.
Absolutely loved it!
By Clara Hodiamont
The book is as suspenseful as any thriller, funny and sad and well written. It gives a good overview of various theories regarding the dramatic decline of amphibians worldwide without ever being boring or dry. The stories about the search of lost frogs are nail-biting and I couldn't put the book down. The pictures are stunning and show an amazing variety of gorgeous amphibians. I haven't been as excited about a nature/travel/weird-and-wonderful-creatures book since Last Chance to See.

3 of 3 people found the following review helpful.
... Moore's In Search of Lost Frogs for just another beautiful coffee table book
By Wendy E. Townsend
Please don't mistake Robin Moore's In Search of Lost Frogs for just another beautiful coffee table book. The photos and writing tell a big story –one that engages, inviting us to follow. It is a culmination of a life's work driven by passion for amphibians, and for where they live, which is just about everywhere. Portraits of amphibians show us that each frog, each salamander, is a non-human being. Who could not help but smile, looking at the Green Rain Frog, with her fingers laced and expression that's so open, or the Giant Palm Salamander, peering into the camera lens as though asking, "Who are you?"
Of childhood summers spent searching for frogs and their kin, Moore says, "...each year the heartbeat of the wild, untamed land pulses through me a little stronger and the belief grows that, for those who are willing to stop and listen, the amphibians have something important to say."
Indeed, they do, and with Lost Frogs, Moore gives them a voice.
To read this book and look at the photographs is to understand that the author's passion extends to life on earth, for we are all part of the biosphere, and everyone is affected by what happens to animals and nature. It makes perfect sense that Moore's PhD is in biodiversity conservation.

Told in first person, present tense, Lost Frogs is a story that takes us to places where amphibians live –or not. In the United States, we ride a day and a half on horseback, into the Sierra Nevada to lakes where Mountain Yellow-legged Frogs are dying –where clouds of mosquitoes make head nets essential-- and where one biologist has been working for nearly two decades to find out why. In Colombia we follow a stream through a steamy tropical forest to see pale green, near transparent Glass Frogs, deep red Poison Dart Frogs, and then, a new species of red-eyed toad. In Ecuador we hike high into the Andes where the cold wind doesn't let up and the air is thin –yet humid—to spend hours following another stream, searching for the Lime-Green Harlequin Frog.
Not only do we get to meet amphibians, but people, too, like biologists and journalists who are sometimes funny, mostly eccentric, and always utterly dedicated to their work. Photos capture joy and excitement in discovery –in a frog clinging to eyeglasses—concern and dedication –injecting a microchip to track a frog—satisfaction and pride --in discovery of a new species-- and deep sadness in looking out across a land where frogs once thrived.
Perfectly woven into the story of the search, the author gives an overview of each region's natural and human history that enables a better understanding of how ecosystems have been, and continue to be impacted by human expansion, conflict, politics, and economics. We see more clearly what happened to Haiti's environment, why parts of the Colombian forest have stayed protected, but are now threatened, and why, in Israel, a vast, beautiful lake was drained.

The sudden disappearance of frogs got people talking about amphibians as "canaries in a coal mine," but not really understanding how and why. Moore affirms that there is no "silver bullet" cure, and what's happening to frogs is a "lethal cocktail" of "habitat loss, disease and climate change," with stress as a factor in weakening immune systems, thereby decreasing the ability to fight infectious diseases like the chytrid fungus. Thus, it's clear that conservation of biodiversity is important, because it is the bio-diverse ecosystem that is best able to survive disease.
Moore's discussion of the lethal cocktail and the tenacity of fungi lets us see how we could be affected. Bats, bees, coral reefs, and snakes are also dying from fungal infection. It is a solid wake-up call. But because of the positive tone and clarity of the writing, we don't feel helpless; we are inspired and ask what can we do?
For starters, Moore proposes a shift in attitude toward wildlife. Of a species in question, he speaks about our tendency “to ask first, ‘what good is it?’ before deciding whether it is worth saving.”
We need to see that wild animals have the right to live for their own sakes, regardless of any value to us. Terry Tempest Williams says, “To honor wildlands and wild lives that we may never see, much less understand, is to acknowledge the world does not revolve around us.”
It is a shift in attitude we can create that will energize us and make the actual work of conservation and habitat restoration totally doable. The work of conservation is going on around the world. Frame of Mind, co-founded by Moore, is one program that connects young people to their environment through photography and storytelling. It is a success story that's growing.
Perhaps the big take-away question comes from a twelve-year old Haitian girl, a participant in the Frame of Mind program who asks the Environment Minister, “What is your reforestation policy for Parc La Visite?”

Children come into the world with inherent curiosity, ready to explore. The discovery of a pond, a stream, a bit of forest –a frog, turtle, dragonfly –a squirrel in the park—fills a child with wonder, and that is a gift. It is a gift Moore wants present and future generations to have. With Lost Frogs, Moore opens the dialogue to us, inviting us to join the conversation and the efforts to save these delightful creatures –and ourselves.

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[Z459.Ebook] Download PDF The Way of the Ship: America's Maritime History Reenvisoned, 1600-2000, by Alex Roland

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The Way of the Ship: America's Maritime History Reenvisoned, 1600-2000, by Alex Roland

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The Way of the Ship: America's Maritime History Reenvisoned, 1600-2000, by Alex Roland

The history of shipping in America, as traditionally recounted, is based primarily on the fortunes of the American merchant marine. This book offers a global perspective and considers oceanic shipping and domestic shipping along America's coasts and inland waterways, with explanations of the forces that influenced the way of the ship. The result is an eye-opening look at American maritime history and the ways it helped shaped the nation’s history. It features beautiful color images of paintings by today’s premier marine artist, John Stobart.

  • Sales Rank: #1238417 in eBooks
  • Published on: 2007-11-01
  • Released on: 2007-11-01
  • Format: Kindle eBook

From the Inside Flap

The history of shipping in America from 1600 to 2000, as traditionally recounted,is based primarily on the fortunes of the American merchant marine. The Way of the Ship is different. While it elucidates the significant impact of the merchant marine, this book views American maritime commerce from a global perspective and incorporates the crucial contributions of shipping on coastal and inland waters.

The Way of the Ship tells the important story of the commercial transport of passengers and goods from port to port in American history and the ways in which it fueled the material and economic expansion of the country. Throughout, it explains the factors that influenced—and continue to influence—the shipping industry, from economics, government policy, and labor to the military and technology. It includes intriguing details about the ships and ports that played pivotal roles and the entrepreneurs who took the helm along the way.

Readers will be struck by two paradoxes: the contrast between the volume of U.S. trade and the size of its merchant marine, and the contrast between the importance of shipping in American history and life and its relative invisibility to historians and citizens.

Complete with beautiful color images of paintings by today's premier marine artist, John Stobart, this thought-provoking reference sheds new light on the country's fascinating maritime past and examines the diverse factors that will influence the way of the ship in the twenty-first century.

From the Back Cover
AN ENLIGHTENING,EXPANDED VIEW OFAMERICAN MARITIME HISTORY

From Native Americans with birch bark canoes and inventive colonists who took fishing shallops and laid decks over them for coastal trading to the rise of the automated mass carrier and ever-bigger passenger cruise ships, this book tells the story of four hundred years of America's maritime history. It is filled with powerful and evocative images of ships such as the Mayflower, Savannah, Flying Cloud, Alabama, Sea-Land McLean, and Exxon Valdez; ports, including Boston, New Orleans, Philadelphia, New York, Chicago, San Francisco, Salem, Buffalo, and Seattle; and people such as Joseph Peabody, Robert Fulton, Mark Twain, Donald McKay, Cornelius Vanderbilt, J. P. Morgan, and Malcom McLean.

The Way of the Ship offers a global perspective and considers both oceanic shipping and domestic shipping along America's coasts and inland waterways, with explanations of the forces that influenced the way of the ship. The result is an eye-opening, authoritative look at American maritime history and the ways it helped shape the nation's history.

Includes 16 color pages of marine paintings by John Stobart.

This is part of a two-book project created by the American Maritime History Project, Inc., an independent enterprise with an office at the United States Merchant Marine Academy at Kings Point, New York.

About the Author
ALEX ROLAND is a Professor of History at Duke University, where he teaches military history and the history of technology. He previously taught at the U.S. Army War College and the U.S. Naval Academy. The author of several books, he is currently writing a biography of Robert Fulton.

W. JEFFREY BOLSTER, a maritime historian, is a Professor of History at the University of New Hampshire. His book Black Jacks: African American Seamen in the Age of Sail was a New York Times "Notable Book of the Year."

ALEXANDER KEYSSAR is the Stirling Professor of History and Social Policy at the Kennedy School of Government at Harvard University. He is the author of Out of Work: The First Century of Unemployment in Massachusetts, which won the Frederick Jackson Turner Award from the Organization of American Historians and was a New York Times "Notable Book of the Year." His 2000 book, The Right to Vote: The Contested History of Democracy in the United States, received the Beveridge Prize from the American Historical Association and was a finalist for the Pulitzer Prize.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Good Introduction to a Poorly Understood Subject
By Truth be Told
"The Way of the Ship" is intended (and mostly succeeds) as a basic introduction to the history of the maritime industry of the United States from 1607 to the first years of the 21st century. Roland does an admirable job at describing the growth of the maritime sector in New England and how that industry played a considerable role in the character of New England's economy from the 17th century through the 19th century. He rightly notes that coastwide trade between various colonial ports played a significant part in the development of a national consciousness and that without these economic ties it would be arguable whether there would ever have developed the necessary sense of identity that led to the War of Independence. Roland also does a commendable job at examining aspects of America's maritime history that are often ignored by maritime histories. One particuarly strong point in this respect is the book's frequent references to the role of riverine or "brown water" carriage in the development of the maritime industry in America and its considerable role in America's economic growth (those who work in the maritime industry will know that the issue du jour these days is what is now called short sea service, i.e. using waterways and coastwise ocean carriage to offset the demands on interstate roads and railroads). Far too many histories focus solely on the blue water aspect of US maritime history and it's good to see a more balanced approach to this aspect of a complex industry. The book also provides some very good information on the developments in the organization and eventual decline of the maritime labor sector. The reason I only give this book four stars, however, is that it's not as well-edited as it should be. Too often acronyms or terms already defined in earlier chapters are redefined in subsequent chapters. Moreover, the chapters are often far too short, in some instances literally no more than 5-7 pages, followed by a chapter on a similar or related subject during the same chronological period. A good editorial staff would have found ways to organize the material so that chapters made more sense organizationally.

1 of 1 people found the following review helpful.
Memories
By The I Man
I bought this book as a birthday present for my 93 year old neighbor who went to sea in the UK as a 14 year old seaman. He then became a merchant seaman in the US. He has sailed the world which included WW II scrapes with U-boats. He was also active in merchant marine labor issues which are covered in this book. He is a bright old gent and he loves the book.

0 of 0 people found the following review helpful.
Fascinating reference on the history of merchant shipping in the ...
By Karl Gallagher
Fascinating reference on the history of merchant shipping in the USA. Focuses on the mariners as well as the business tycoons.

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